I was listening to one of Mozart symphonies and it occurred to me that I did not know why the trio section of a minuet is call trio. So I look up wikipedia, and I find the reason why it is call so is a purely historical one. In Lully's time usually two minuets were played one after the other followed by a repetition of the first. By that time, it became a common practice to score the second section for a trio (three instruments). And if you listen to a symphony by Mozart, you'll notice the orchestration is lighter in the trio than in the rest of the minuet. I'll bet many of you didn't know this.
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The menuetto and trio.
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I also love to listen the symphonies by Wolfgang Amadeus Mozart. Yeah, It's really good to know something new about trio. Even I was also not aware about this before.Originally posted by STF92 View PostI was listening to one of Mozart symphonies and it occurred to me that I did not know why the trio section of a minuet is call trio. So I look up wikipedia, and I find the reason why it is call so is a purely historical one. In Lully's time usually two minuets were played one after the other followed by a repetition of the first. By that time, it became a common practice to score the second section for a trio (three instruments). And if you listen to a symphony by Mozart, you'll notice the orchestration is lighter in the trio than in the rest of the minuet. I'll bet many of you didn't know this.
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Which is only one step away from the simpliest Rondo form ABCBAOriginally posted by Peter View PostYes it's always interesting to learn the origins of these forms and to see how they develop - even when the minuet morphed into the scherzo, the trio was still retained. Also interesting in Beethoven's symphonies 4 and 7 how he repeats the trio twice creating ABABA.
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