Equal temperament? The opening C pedal note is kind of there (with wobbles on either side), but the intervals are not exactly pure. Must be a new tuning system. Hah!
Announcement
Collapse
No announcement yet.
What are you watching on YouTube now?
Collapse
X
-
One of the things I liked is that he continued to play.Originally posted by Philip View PostChris, did you not check out the Messiah You Tube extract I posted above? Come clean now, was it you? If so, I'll send you a cheque immediately !!!!!
And if so, I hereby officially engage your organ services at my funeral. Hah!
Comment
-
I only wish my mistakes were that minorOriginally posted by Philip View PostChris, did you not check out the Messiah You Tube extract I posted above? Come clean now, was it you? If so, I'll send you a cheque immediately !!!!!
And if so, I hereby officially engage your organ services at my funeral. Hah!
Comment
-
Benjamin Grosvenor BBC Proms 2011
[YOUTUBE]http://www.youtube.com/watch?v=6RzZeCuoAi4[/YOUTUBE]
Liszt Concerto no2 in A major
Part 1 of 2
Benjamin Grosvenor, piano
BBC Symphony Orchestra
Jirà Belohlávek, conductor
BBC Proms 2011
First Night
15 July 2011Last edited by Megan; 10-07-2011, 02:05 PM.‘Roses do not bloom hurriedly; for beauty, like any masterpiece, takes time to blossom.’
Comment
-
In light of recent discussions, I thought this video of Gould, at a young age, explaining interpretation is worthwhile. I mention young age because it shows that even when he was young he was already deep into interpretation, or his understanding of the piece of music he was playing. Gould believed in interpretation, or the way he understood, enjoyed, etc. the piece for his life. I consider Gould to be a something of a genius, in some way, and he had an excellent ear, it seems.
[YOUTUBE]http://www.youtube.com/watch?v=VbLw2Mfa2NA[/YOUTUBE]
And a good example of Gould's interpretations is the Appassionata:
[YOUTUBE]http://www.youtube.com/watch?v=GXjM2hrqO54[/YOUTUBE]- I hope, or I could not live. - written by H.G. Wells
Comment
-
Yes I agree Gould is a very interesting musician and a great pianist (at times) but I think that's about the worst performance of the Appassionata I've ever heard - about as much passion as a dead tortoise! Try Richter's or Schnabel's instead!Originally posted by Preston View PostIn light of recent discussions, I thought this video of Gould, at a young age, explaining interpretation is worthwhile. I mention young age because it shows that even when he was young he was already deep into interpretation, or his understanding of the piece of music he was playing. Gould believed in interpretation, or the way he understood, enjoyed, etc. the piece for his life. I consider Gould to be a something of a genius, in some way, and he had an excellent ear, it seems.'Man know thyself'
Comment
-
Really I don't think I've heard any Beethoven or Mozart from Gould that doesn't range from "mildly inappropriate" to "wildly inappropriate." He had interesting ideas and incredibly clarity in his playing, and I think those qualities made him at his best playing Bach. Some of that still prompts a raised eyebrow from me, but some of it is truly captivating, like the Goldberg Variations:
[YOUTUBE]http://www.youtube.com/watch?v=g7LWANJFHEs[/YOUTUBE]
He composed a few pieces as well. I rather like this one:
[YOUTUBE]http://www.youtube.com/watch?v=N2JFgfc7c70[/YOUTUBE]
Comment
-
Yes that is the 1981 version of the Goldberg - compare with the 1955 version:Originally posted by Chris View PostReally I don't think I've heard any Beethoven or Mozart from Gould that doesn't range from "mildly inappropriate" to "wildly inappropriate." He had interesting ideas and incredibly clarity in his playing, and I think those qualities made him at his best playing Bach. Some of that still prompts a raised eyebrow from me, but some of it is truly captivating, like the Goldberg Variations:
[YOUTUBE]http://www.youtube.com/watch?v=iGY9tHHM63Q[/YOUTUBE]'Man know thyself'
Comment

Comment