Originally posted by Schenkerian
View Post
Announcement
Collapse
No announcement yet.
2021 Chopin Competition, Warsaw
Collapse
X
-
Yes but that's what all chamber and orchestral musicians do as a matter of course -it doesn't mean they haven't studied and practiced the piece. Sight reading means playing the thing through never having seen it before and is a skill that some musicians possess to an incredible degree, but I doubt many would give a performance like that.'Man know thyself'
-
It is a very rare talent to be able to sight-see-perform music of this technical level, and there's no shame in performing with a score. Why do we expect such pyro-technics, I ask? I read in the literature that Beethoven wasn't particularly in favour of playing from memory.Originally posted by Peter View PostSight reading is playing it for the first time never having seen the score before, unthinkable that they haven't practiced this together - I simply think they are not playing from memory and relying on the score.
Comment
-
Yes, that's absolutely right. Most professional orchestral musicians are perfectly able to turn up to a recording session playing something from the repertoire that they have never seen before because it's not a solo part, it's the standard "chug-chug-chug" of the writing. It's not at all the same thing as sight-reading and performing a concerto, though no doubt that was something Liszt, Mozart or Beethoven et al could have done. Why do we expect these people to be performing monkeys?Originally posted by Peter View Post
Yes but that's what all chamber and orchestral musicians do as a matter of course -it doesn't mean they haven't studied and practiced the piece. Sight reading means playing the thing through never having seen it before and is a skill that some musicians possess to an incredible degree, but I doubt many would give a performance like that.Last edited by Quijote; 10-15-2021, 05:26 PM.
Comment
-
Exactly. Many music lovers (non-performing musicians) expect this sort of "mythhology". In the field it's another question entirely.Originally posted by Peter View Post
Yes but that's what all chamber and orchestral musicians do as a matter of course -it doesn't mean they haven't studied and practiced the piece. Sight reading means playing the thing through never having seen it before and is a skill that some musicians possess to an incredible degree, but I doubt many would give a performance like that.
Comment
-
I'm not especially impressed by this pianist; too many facial contortions and gyrations. This last is just terribly off-putting. There have been some musicians in this competition with real aplomb and poise and who've played extremely well, for example Kaldunsky, who didn't make it into the 3rd Round. I'm watching Gadjiev (Italy/Slovenia) right now on the 'live' replay and he's an interesting musician. My favourite remains the Russian Khozyainov. And some of the Asian competitors have that composure and confidence I'm after in pianists too.Originally posted by Peter View PostVery impressive Martin Garcia Garcia tonight, must be in the final?
But, as we've already seen, my judgment on these matters isn't too flash.
Last edited by Schenkerian; 10-15-2021, 08:58 PM.
Comment
-
I agree his mannerisms are off putting and I wonder just how much this impacts on the jury? For my part, I find just listening and not watching is a big plus! I also expect to see Piotr Alexewicz in the final.Originally posted by Schenkerian View Post
I'm not especially impressed by this pianist; too many facial contortions and gyrations. This last is just terribly off-putting. There have been some musicians in this competition with real aplomb and poise and who've played extremely well, for example Kaldunsky, who didn't make it into the 3rd Round. I'm watching Gadjiev (Italy/Slovenia) right now on the 'live' replay and he's an interesting musician. My favourite remains the Russian Khozyainov. And some of the Asian competitors have that composure and confidence I'm after in pianists too.
But, as we've already seen, my judgment on these matters isn't too flash.
'Man know thyself'
Comment
-
Russian Khozyainov this morning: I was a little disappointed in his Chopin B Minor Sonata. Too much pedal and the slow movement lacked direction and drama. It seemed to fizzle out.
The Mazurkas are wonderful, difficult little gems for all competitors and I follow along with the scores. I'm tired of hearing the Preludes, to be honest.
Piotr Alexewicz is a gorgeous young man and talented, but I have concerns he won't progress if only because the Polish musicians are so heavily over-represented!! They'll feel they have to thin out the ranks, I'm thinking. Su Yeon Kim was outstanding with her program in this latest session. South Koreans really punch above their weight, in every way.Last edited by Schenkerian; 10-16-2021, 10:43 AM.
Comment
-
Bruce Liu (Canada) is playing now. Very fine musician. No histrionics. I've had friends emailing me with marks out of 10 for each competitor!!
Results imminent for the Finals. But, before that, an ontological question: are we ready for a musician with an international career who is named Bruce??!!!Last edited by Schenkerian; 10-16-2021, 05:50 PM.
Comment
-
Well we'll have to get used to it I think, I'd be amazed if this guy isn't in the final after that performance.Originally posted by Schenkerian View PostBruce Liu (Canada) is playing now. Very fine musician. No histrionics. I've had friends emailing me with marks out of 10 for each competitor!!
Results imminent for the Finals. But, before that, an ontological question: are we ready for a musician with an international career who is named Bruce??!!!'Man know thyself'
Comment
-
And Gadjiev too. So I think Sorita is a real contender for top prize and Liu and Gadjiev could get 2nd or 3rd - anyway one of those will probably win. I'd be very surprised if Garcia gets into top 3. However the jury obviously had real disagreements yesterday, so who knows?'Man know thyself'
Comment

Comment