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    What are you listening to now?

    Today:

    Liszt (arr. Heinz Holliger):
    Nuages gris & Unstern! (1881 orch 1986) (R3 listen again)

    Ligeti:
    Atmosphères (1961)
    Apparitions (1958/’59)
    Concert romanesc (1951)

    Rheinberger:
    5 Tonbilder op.11 (1866)

    Xenakis:
    Naama (1984)

    Causton:
    Chamber Symphony (2009) ( R3: Pre-Hear)

    #2
    Welcome back, Roehre!

    This evening:

    Haydn: Piano Concerti from the Brilliant Haydn Edition

    Bruckner: 1st movement from 5th Symphony

    Comment


      #3
      Today:

      Xenakis:
      A l’Ile de Gorée (1986)
      Khoai (1976)

      Ligeti:
      Melodien (1971)
      Chamber Concerto (1969/’70)

      Harmonia Mundi CD Le Siècle de l’Ars Nova, i.a. Messe de Tournai, and
      music by de Machaut, Jacopo da Bologna, Francesco Landini and Paolo da Firenze

      Comment


        #4
        Listening this evening to Bruckner's 5th Symphony, 1st movement (again). This time I am listening to Gunter Wand's performance, early it was Jochum's. So far my preference goes to the Jochum performance; it seems a bit more crisp and energetic than the Wand. The brass is a bit sharper, as well, in terms of the sound, but this might have more to do with the recording itself. I like the Wand version very much and will continue to listen to the other movements, comparing both versions.

        Comment


          #5
          Today:

          Hérold:
          Symphony no. 2 in D (1814)
          A nice little 3mvt work, especially in the finale quite indebted to Haydn’s Paris symphonies (especially the Bear, if memory serves me correctly)

          Xenakis:
          Komboi (1981)

          Rheinberger:
          24 Präludien in Etüdenform opus 14 (1867)

          Ligeti:
          Piano concerto (1985/’88)
          Mysteries of the macabre (1974/’77-1991)

          Harmonia Mundi CD Ars Subtilior(1370-1410)/
          L’Essor de la Polyphonie Franco-flamande (1420-1460):
          Music by i.a. Ciconia, de Caserta, Dunstable, Dufay , Ockeghem, Binchois and Busnois

          Comment


            #6
            Roehre, is this the same Herold that composed Zampa? I've been very curious about his other music.

            Comment


              #7
              Originally posted by Sorrano View Post
              Roehre, is this the same Herold that composed Zampa? I've been very curious about his other music.
              Yes, the same composer.
              This week on BBC radio 3 Composer of the Week: Adam, Hérold and Delibes.

              Comment


                #8
                This evening:

                Beethoven: Selections from WoO 152 and WoO 153 (Irish Songs)

                Comment


                  #9
                  Today:

                  Ligeti:
                  Ramifications (1968/’69)
                  Requiem (1963/’65)
                  Le Grand Macabre: Scenes and Interludes (1978)

                  Ockeghem:
                  Missa pro Defunctis

                  Berio:
                  Concerto II "echoing curves" (1989)

                  Rihm:
                  Schwarzer und roter Tanz (1982/’83)

                  Comment


                    #10
                    Originally posted by Roehre View Post
                    Yes, the same composer.
                    This week on BBC radio 3 Composer of the Week: Adam, Hérold and Delibes.
                    The 1st and 2nd symphonies of Herold are available on Amazon with a couple of overtures (http://www.amazon.com/Herold-Overtur...00792&sr=301-4) so I picked up the first movement of the 1st symphony to check it out. I haven't had the time, yet, to do that but am looking forward to it. Thanks, again, Roehre, for your varied lists!

                    Comment


                      #11
                      Brahms - Symphony No. 4

                      Comment


                        #12
                        This morning was Beethoven's Symphony N0. 8. I felt the finale was quite fast, more so than what I was used to. Conductor was Karajan.

                        Comment


                          #13
                          Originally posted by Sorrano View Post
                          This morning was Beethoven's Symphony N0. 8. I felt the finale was quite fast, more so than what I was used to. Conductor was Karajan.
                          Which suggests the other recordings were too slow (sorry Preston!). Beethoven not only marks the finale Allegro Vivace but he also has it in two in a bar rather than four which is proof he wanted this movement to go!
                          'Man know thyself'

                          Comment


                            #14
                            Headmaster, you will need to explain your "two in a bar rather than four" for those who are perhaps less literate in notation. Maybe use the Opus 2 n° 1 as a back-up example?

                            Comment


                              #15
                              Today:

                              Rheinberger:
                              6 Tonstücke in fugierter Form op.39 (1862/’70)
                              6 Tonstücke in fugierter Form op.68 (1862 rev 1873)
                              Fantasiestück „Hoch geht die See“ op.23 (1866)
                              Capriccio giocoso op.43 (1870)

                              Ligeti:
                              Clocks and Clouds (1973)
                              Cello concerto (1966)

                              Harmonia Mundi CD Musique sacrée de la Renaissance
                              Music by i.a. DesPrez, de la Rue, Janequin, Palestrina, di Lasso, Monteverdi

                              De Victoria:
                              O Quam gloriosum (1572)
                              Missa O Quam gloriosum (1583)

                              Mozart:
                              Symphony in C KV551 (R3 Live in Concert)

                              Turnage:
                              On opened Ground (2000/’01 rev ’03) (R3 Live in Concert)

                              Comment

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